| |
| |
|
The 2018 Myth and Theatre Festival
UCLAN UK Conference
Paris 2017 2018 season
|
|
|
|
| |
International Newsletter with main projects for summer and for the coming season in Paris (and New York). Plus:
|
|
|
|
| |
|
|
|
Myth and Theatre Festival
Nekyia
Descent to the Underworld
June 19 to July 1st 2018 Malerargues, Roy Hart Centre, Southern France
13 days of laboratories, classes, and evenings lectures, performances and outings..
Directors. Enrique Pardo and Linda Wise
in collaboration with
Roy Hart International Artistic Centre La Mairie de Lasalle Univ. of Central Lancashire UK School of Film, Media & Performance. The members of the Paris Choreographic Theatre Laboratory and Anna Griève, Maria Fernandez, Amy Rome, Daniela Molina, Pierre François Blanchard, and invited performing artists and musicians.
|
|
Nekyia is the Greek word for descent, and specifically for the descent into hell, into the pagan hell, the Kingdom of Hades, the abode of the dead.
James Hillman, in The Dream and the Underworld, says the Nekyia takes place along a two-way road whose traffic is all the more intense since, according to him, dreams are assembled in hell and take the same royal road as the dead do.
Each dream brings together a cast of ghosts, ancestral ones or phantom replicas of the living, often of the dreamer himself. Permission is granted them to visit us, the so-called living, usually at night, when the gates of hell open.
There are, in fact, two gates to hell: one of horn, supposed to be that of "true" dreams, and one of ivory, supposedly of "false" dreams. It is this double-door chamber that intrigued me the most in the Nekyia: the idea of a place, a ghostly agora, a theater where true dreams and counterfeits mingle, barter, make deals, exchange ideas and scenarios, or steal them, while plotting connections and one-night-stands.
A transit airlock, a caravanserai for night travelers. The double-crossing gates of the dream factory. Read full EDITORIAL
INFORMATION & REGISTRATION
|
|
|
| |
|
|
|
UCLAN
University of Central Lancashire PRESTON UK July 16 - 19 2018
An International Symposium of lectures, practice-led workshops and performances.
A 4 day conference on the occasion of the awarding of an Honorary Fellowship by University of Central Lancashire, to Enrique Pardo.
Organized by Dr. Amy Rome
INFORMATION & REGISTRATION
|
|
Transdisciplinary Explorations into Performativity
The conference will include master classes and a keynote lecture by Enrique Pardo : "Why Theatre?"
Enrique's intention is to present a series of historical and philosophical speculations on the act and art of performance, and in particular on the relationship between THEATRE and MAGIC.
He will call on the guidance and companionship of figures past, recent and present : Plato, Gorgias, Iamblichus, Roy Hart, Eugenio Barba, Cuatrotablas, Romeo Castellucci, Peter Kingsley, Xavier Papaïs, and the late James Hillman, the main inspirational figure and cultural guide of his and Pantheatre's work.
Guest key-note speakers & practitioners include: international directors Enrique Pardo, Linda Wise, Dr. Julie Bokowiec (University of Huddersfield), Dr. Jane Turner (Manchester Metropolitan University), Dr Patrick Campbell (Manchester Metropolitan University), Tim Langford (UCLan), Giorgio De Carolis (UCLan).
|
|
|
| |
|
|
|
¡ Ojo con las Orejas !
Keep an eye on those ears! MADRID
Taller de Voz y Teatro Coreográfico con Enrique Pardo
|
|
Mirar
con las orejas. Como los burros, que jamás le quitan el oído a la música, pase
lo que pase. ¡Para oírte mejor!” (Los lobos también se las traen – y los
conejos…)
La idea de performance vocal se basa en dos principios
complementarios: fineza técnica y riesgo expresivo. Se trata de enfatizar el
genio personal, la musicalidad y el temperamento para integrar movimiento, danza,
actuación, voz, y textos – dentro de una síntesis que Enrique llama teatro coreográfico. 25 26 27 de mayo Organiza Bibiana Monje / IMPULSO
Sala XL (Ex Limite - antigua Sala Kubik)
Imagen de Miguel Angel - Midas / Puerta del infierno
|
|
|
| |
|
Pantheatre Training & Study Program
October 2018 to April 2019 2 intensive workshops. INFORMATION
29 Oct - 23 Nov : 4 weeks full time
23 Feb - 9 Mar : 2 weeks singing & interpretation 6 weekends (dates tbc) INFORMATION Weekly classes, ateliers and laboratories
Linda Wise, Enrique Pardo & Co. - training and supervision of voice (Roy Hart) teachers The spirit of the program is more a question of personality, quality of listening and
expressive risk than of technical know-how (musical, acting and/or dance).
|
|
|
| |
|
|
|
New York Autumn 2018 Inside the Wild Heart
Clarice Lispector Directed by Linda Wise
|
|
Linda Wise will direct a new immersive theatre piece on the work of one
of Brazil’s greatest and most loved writers, Clarice Lispector, with Group BR, New York’s only Brazilian theatre company. Conceived by Debora Balardini
and Andressa Furletti, the work is entitled “Inside the Wild Heart” after
Clarice Lispector’s first novel “Near to the Wild Heart” published when she was
only 23 years old. « I have never read such
introspective writing and am completely fascinated, challenged by her work –
which seeks and holds the strangeness of being in this world » LW
Première mid-October 2018
|
|
|
| |
|
|
|
Paris Ars Magica Seminars
The seminars of Xavier Papaïs have become part of Enrique Pardo’s cultural studies, linked with choreographic theatre and voice performance work. |
|
Theme for 2018 : DEMONS
French philosopher and Pantheatre friend, Xavier Papaïs, presents the most inspiring, historical and philosophical cultural overviews today - certainly for Pantheatre’s training and performance studies : a rehabilitation of
magic, redefining the status and importance of image and emotion, and the nature of consciousness, i.e. presence of mind (spirits and voices). This year’s theme: the history, nature and figuration of DEMONS. Highly recommended.
Ecole Normale Supérieure
45 rue d’Ulm - Paris
|
|
|
|
|
|
