Image adapted from an engraving by G.B. Tiepolo's series Scherzi e Capricci. See ORIGINAL and COMMENTARIES.

Myth and Theatre Festival



Descent to the Underworld

June 19 to July 1    2018


Program in the making


Consult  2017 archive PLANNING (to get an idea)
and 2017 ARCHIVES



Direction : Enrique Pardo and Linda Wise

In collaboration with

Roy Hart International Artistic Centre
La Mairie de Lasalle  /  La Galerie du Petit Temple
Club del Pescado
Univ. of Central Lancashire UK - School of Flim, Media & Performance. Dr. Amy Rome

Membres of the Paris Choreographic Theatre Laboratory
Le Club del Pescado


Teachers / Lecturers / Guest Artist

2017 ARCHIVES Références


Enrique Pardo Director, focusing this year on theatre and divination, a take that ranges from pre-socratic shamanism to neoplatonism to contemporary re-assesments of ecology and of magic (including Cubism - as in Cuba).
Linda Wise Artistic co-director, actress, voice and singing teacher, very drawn to Brasil for its music and singers... "mainly because of Africa" (she was born in Kenya).
Paris Laboratory Enrique's 2016/2017 Paris Laboratory included two strong references: the role of the Background Vocalists (voices that know better), and texts by Giulia Sissa from her book on Jealousy.
Anna Griève Writer, has lectured with Pantheatre on fairy tales, and performed in The Twelve Brothers by the Bothers Grimm. This year she will present and analyse the story of Melusine.
Amy Rome Professor at Central Lancashire University, singer, PhD and Pantheatre collaborator, with a background spanning from rock and Atlantic City to Heidegger and phenomenology.
Claude Leroy Specialist in Greek mythology and an authority in composing abstract games. Also a neighbour from Lasalle. He will share with us reflections on Tiresias - for instance on Oedipus' understanding - i.e. becoming also a blind seer.
Randy Fertel New Orleans writer and essayist, author of A taste for Chaos : The Art of Literary Improvisation. Lectured on Hermes at the 2016 festival. Since, Trump was elected: Dark Hermes.
Pierre-François Blanchard Pianist, composer, performer. Travelling musician with Raphaël Humbert, and fortunate to have been the accompanist of the great, and recently departed, Pierre Barouh.
Daniela Molina Actress, movement and voice teacher, Parisian from Chile. She will present a sybillic recomposition of her two performances with Pantheatre - and an awesome oracle : The Black Box.
Michaëlla Gallozzi Actress and clown teacher - working on a performance including Count Dracula and his pagan library. Member of the Paris Laboratory.
Didier Monge Musician, composer, sound-engineer and producer - and webmaster. Assistant musical director of the Paris Laboratory.
Joëlle Thisse Characterial actress and characterial clown: both show up in her work-in-progress with a text on jealousy by Giulia Sissa. Member of the Paris Laboratory.
Pauline Nozière Feisty Northern France actress , member of the Paris Laboratory. Big smiles when she said : "Here is the passion and pleasure I looked for in theatre schools!"
Nahuel Buenos Aires suburban militant writer and musician, god-sibling (god-sib = gossip) of the late Livia Kaufman. Assistant musical director of the Paris Laboratory.
Hélène Larrodé Performer, dancer, singer - accute and original (worked with Anna Halprin after all).  Member of the Paris Laboratory.
Pamela Carreño Background vocalist and founding member of Artica y las Magneticas - and classicist with a thesis on The Sybill of Cuma - the greatest Roman oracle, next to Naples.

Artica y las Magnetica

Chile rock group, includes vocalists Pamela and sister Fernanda Carreño. Their Santiago concert reminded Enrique of one of one of his unruly genius big brothers: Frank Zappa. TBC depending on grants.
Kate Yust Al-Shamma Actress-dancer-singer - has taught, acted and directed in several USA universities, now in California - wrote her PhD including her work with Pantheatre.
Gaëtan Emeraud Brittany actor and director, coordinator of Club del Pescado, Pantheatre-linked research and performance 'club' - presented a supeb piece on (Picasso's) Dora Maar.
Véronique Taconet Performer, vocalist, was part of Pantheatre's Alchemical Theatre project (early 1990s) making a comeback now that her son is a star student at the Geneva dance school.
Pierre Jeammes Freelance singer and performer after a career between physical and cultural education. Working on Jacques Brel. Member of the Paris Laboratory.
Antoine Innocente Won everyone's sympathy last year with his wild and anarchic warm-hearted clown priorities in and out of the studio. He returns from a long trip to Argentina with companion Carina. [Had to cancell. Hopefully in 2018.]
Sean Lewis Playwright, actor, director of LILAC Co. Brooklyn - one of Pantheatre's closest artist-friends. Enrique said Sean's work was the best in Brooklyn, ie New York, ie (hmm) the USA. Presented at the 2017 PanNYC project AMERICAN FLY.
Klaus Fiescher Long time member of Pantheatre's summer Oracular Orchestra (Music that knows better) - including awesome Bremen-Burma-Vodou base clarinette!


A Workshop-Festival

13 days with 4 half-days rest. 7 hours workshops per day, plus evening lectures and performances.
Possibility of partial participation



arrivals Monday June 18,  departures Monday July 2 morning

first appointment for work Tuesday June 19 at 9:30 am

Closing time Sunday July 1 at 5:30 pm

9:30 - 10:15
10:30 - 13:00
Enrique Pardo - laboratory sessions
14h30 - 17:30
Linda Wise - master classes and small group coaching
lectures, debates, performances

Enrique Pardo   :   Choreographic Theatre

Mornings : laboratory sessions with the contribution of different teachers and invited musicians.

Linda Wise   :   Voice Performance

Afteroons : Voice work in two periods : work all together, division in two or three groups with different teachers for individual work.

Working TEXTS

  1. Participants are asked to chose and bring a text of minimum 200 words learnt by heart.
  2. The work starts with the fantasies and realities of this choice - the text you chose is in many ways your working artistic contract, the challenge you give yourself and bring to the work.
  3. The choice of text is free: it does not have to be a theatre text. Best in English or French for general comprehension (but also Spanish and Italian.) Avoid texts that are too poetically condensed or linguistically complex. We encourage contemporary texts.
  4. Finally: The better one knows one's text 'by heart', the freer one is... to free the text, to let it play.

Check for advice.

Advice on using the workshop sessions towards performance devising:

  • most important: make a carefull choice of a working text. See opposite column.
  • consider making VIDEO recordings of your working (and feedback) moments. Think of it as archive homework. Even do some study during the festival (time will be short.) Technically: film with iPhones, iPads, mobiles, or bring your camera. Pantheatre's camera will be available: SonyHiD handycam, with tripod. Advice: bring your own memory card. Best if you can download it on your computer to see it on proper screen.
  • bring any elements you might want to try: costume especially, musical instruments, scenographic objects, make-up, etc. Animals welcome (consult us).


Registration to this festival event is done directly with PANTHEATRE (and not through the Roy Hart Centre's site format.)


     800€ professional workshops students
     650€ activ members and under-26

Partial participation. Consult us.

Registration : Email to PANTHEATRE. Include a brief CV and a letter of motivation if you have not worked with Pantheatre.

Confirmation - Deposit : if your request is accepted, your place will be reserved. It will be confirmed on reception of a deposit of 200€ to “Pantheatre".

Deposits can be returned up to May 15 2018 with a 50€ administration costs deduction..

Payment - see:

Lodging - Important to book soonest. The Roy Hart Centre has lodging for 20 persons which fill very quickly. Check the Roy Hart Centre information page

Contact-us for other possibilities, including shared rentals. Or shared travel.

Check the Camping Filament (20 minutes walk). Note: the camping used to be called La Pommeraie and was bought (with local opposition) by a franchise chain. The website image is dreadfull. We checked and it is fine, especially bungalows in calm green areas, and very convenient, with a swimming pool - and it is not at all full before July 15 full season.

If you check AirBnB or similar, check for : Thoiras area, or nearby Lasalle - post codes 30140 30460. (You might need to have a car for this.)

Travel - Via Nîmes, Montpellier or Marseille OR Barcelona (less than 4 hours). Paris Nîmes super train is now below 3 hours!

Best access is from Nimes station : bus to Thoiras Gare (where we will come fetch you, 10 minutes by car).


and information on the Roy Hart Centre site